The Decalogue films are noted for their tight dramatic constructions, vividly rendered characters, and emotionally resonant ethical dilemmas depicting characters attempting to live in the modern world according to or in search of presupposed ideals. But there was an even deeper economic crisis. Filmed in less than a year—an astonishingly short amount of time given its uniformly excellent quality of dramaturgy—Kieslowski clearly enjoyed a flexible approach to the project, shooting the series out-of-sequence according to the needs of the production and its recurring personnel, while taking into account evolving decisions in the editing room. After his third annual attempt, Kieslowski was finally admitted to the school. As early as , he had made his first professional dramatic film, Pedestrian Subway , a minute television movie about a late-night romantic reunion. A powerful storyteller, Kieslowski undermined the ordered world of his documentary descriptions and high-concept anthologies with the complex, often disillusioning lives of his central protagonists—a dialectical portrait of life oscillating between pessimistic deconstruction and an affection for human resilience.
The film implies that Romek refuses, but ends enigmatically before he leaves the office. Learn how your comment data is processed. Internal rivalries within the Party prompted an ideological clampdown on cultural events and the resulting student demonstrations, violently repressed, were blamed on Zionist instigators. I kept thinking, as the man who was testifying before a Party Committee which was going to decide whether or not to expel him from the Party. Film Directors — Articles on the Internet Online articles can be found here. In Kieslowski created his first feature-length fictional work, Personnel , a film about a theatrical troupe that he largely conceived as a tribute to his experiences at the College for Theatre Technicians.
One of his clients, Derek Artur Barcisis in prison awaiting vutae on political charges and the main thrust of the narrative is how various characters relate to his case. A young tailor named Romek Juliusz Machulski with idealized notions of the theatre must come to terms with the business and politics of art when the opera director asks him to denounce a fellow worker on paper.
Solidarity was suspended and many arrests were made. Curriculum Vitae was a record of the Party Control Committee, an authoritative Party commission which monitored Party members and accepted or revoked their standing through informal trials.
If the narrative structure of Blind Chance encourages a metaphysical reading, the actual plot of No End fully embraces it.
That was not very important; I threw stones and ran away kieslowsli the militia. Includes photos, reviews, cast and crew information, press information and interviews. Again, according to the material available, they really got into their task, giving an authentic grilling to the fictional offender. The options clearly entailed the plight of Poland in general, but instead of supporting one future or another with ideological weight, Kieslowski suggested social realities were dependent merely upon the winds of serendipity.
Krzysztof Kieslowski • Great Director profile
White is a return to the dark humor and irony reminiscent of Decalogue: But there was an even deeper economic crisis. Filmed in less than a year—an astonishingly short amount of time given its uniformly excellent quality of dramaturgy—Kieslowski clearly enjoyed a flexible cureiculum to the project, shooting the series out-of-sequence according to the needs of the production and its recurring personnel, while taking into account evolving decisions in the editing room.
Here is my list—although the order is by no means significant film number one could be number ten and vice versa: As early ashe had made his first professional dramatic film, Pedestrian Subwaya minute television movie about a late-night romantic reunion. Bleu Three Colors: The subject of Blue is every bit as metaphysical as Double Lifebut it is rooted in a more accessible narrative concerning Julie Juliet Binochewho survives an automobile accident in which her husband, a famous composer, and their daughter are killed.
Derek becomes the ethical focal point of the film, whose situation prompts the choices the other characters make. Blue by Richard Rushton Web Resources Cine Kieslowski A thriving fan site with a list of resources, articles, papers, and a chat board.
Genuine working class activists at the shop floor level were driven out of the Party or merely retreated kielowski the periphery by having to put up with the inside political machinations of pious opportunists who always knew the way the wind was blowing.
Throughout this period, Kieslowski had become kkeslowski concerned with the invasive role of the documentary and began to recognize its limitations in relation to the privacy and freedom of the individual. He supported his family through various jobs, from office positions to theatrical tailoring where he met many actors who would later work for himand dabbled in poetry and drawing.
Kieslowski succeeds in that he manages to present a pre-digested analysis of just went wrong with socialism in Poland and probably throughout the Eastern Bloc. This film comes off, once one knows the secret, as a scientific recreation, or rather in retrospect, a post mortem, of Socialism in Poland. The committee is supposedly real, run by the factory secretary, a man of suspiciously movie star looks.
The film implies that Romek refuses, but ends enigmatically before he leaves the office. I kept thinking, as the man who was testifying before a Party Committee which was going to decide whether or not to expel him from the Party. How precisely or what amount of fictionalizing is involved I do not know. But, in contradistinction to The Decaloguethis perspective does not belittle and downgrade, but attempts to present female otherness as a gift—in particular, one that widens the spectrum of awareness to encompass those areas where intuition, emotional knowledge, special sensitivity and subtlety hold sway.
As such, documentaries became popular and respected vehicles of social critique. After Kieslowski completed Redhe announced his retirement at the kiieslowski of kieslowskk Even members of the Communist Party were joining its ranks while the governing structure that remained allowed free trade unions and the right to strike, increased civil rights, and freedom of information.
Pedestrian Subway Przejscie podziemme Factory worker Filip Mosz Stuhr purchases an 8mm camera in order to record images of his newborn daughter but his company Director Stefan Czyzewski places him in charge of making propaganda films for cutriculum factory. Although censors took great pains to control the media, filmmakers and audiences developed an intuitive line of communication.
The assignment thrusts Mosz into learning the craft of filmmaking and he finds himself obsessed with it, starting a film club in an unused cellar and inviting Zanussi himself as guest of honorassembling a team of assistants, sending his work to a local amateur festival, and securing a contract with television. Pedestrian Subway was allotted ten days of shooting, but on the ninth night, Kieslowski re-envisioned the entire film and reshot it from scratch, filming improvisationally with a documentary camera without sound until morning.
He subsequently fell in love with the theatre and decided to become a director, but in order to enter the program, first had to complete studies in another field.